INDIAN CLASSICAL MUSIC AND NATIONAL DANCES

Authors

  • Yormatova Aziza UZBEKISTON STATE WORLD LANGUAGES UNIVERSITY Third English Faculty Superviser: Author
  • Ruziboyeva Mashhura Dilshod qizi Students Author
  • Ismoilova Sevara Hamza qizi Author

Keywords:

folklore,hand gestures,physical deminsion,dance traditions,national tradition,classical music,facial expressions,previous generations,emotional richness,culture

Abstract

Indian classical music and national dances are ancient and profound expressions of India’s rich cultural heritage. Deeply rooted in spiritual, philosophical, and historical traditions, these art forms have evolved over centuries, developing intricate aesthetic systems that reflect the diversity and depth of Indian society. Unlike many musical and dance traditions around the world, Indian classical music and dance are not merely forms of entertainment; they serve as meditative practices, spiritual journeys, and narrative methods that evoke deep emotional and intellectual engagement. Music in India is generally divided into two main traditions — Hindustani (North Indian) and Carnatic (South Indian) — both based on ragas (complex melodic frameworks) and talas (rhythmic cycles). These structures are not fixed; rather, they serve as guides for improvisation, allowing the musician to explore a range of moods and emotions. Similarly, Indian classical dance forms such as Bharatanatyam, Kathak, Odissi, and Kathakali employ intricate rhythms, hand gestures (mudras), and facial expressions (abhinaya) to tell stories and express emotional states known as rasas. The relationship between Indian classical music and dance is symbiotic. While music provides the soundscape that guides the dancer’s movements and emotions, dance adds a visual and physical dimension to music, often narrating stories drawn from Indian mythology, folklore, or philosophy. This intricate interplay between music and dance creates a multisensory experience that is both aesthetically pleasing and spiritually enriching.This article explores the harmony and complexity inherent in Indian classical music and national dances, analyzing the technical foundations that govern them as well as the philosophical principles that give them meaning. By understanding the intricate layers of rhythm, melody, improvisation, and expression, we can appreciate the unified yet complex nature of these art forms that continue to captivate audiences both in India and beyond.

Downloads

Download data is not yet available.

References

b. // https://lex.uz/doss/5013007 3. H.Xursandov, SH.Qurbonova. Surxon raqs maktabi. T.,2011. 4.O.I.Shirokaya. Tamaraxonim. G‘.G‘ulom nomidagi adabiyot va san’at nashriyoti, 1973.

Avdeyeva L. O ‘zbek milliy raqsi tarixidan. T., 2001.

Ibodovich, T. R. (2022). PRACTICAL SITUATION OF TEACHING UZBEK MUSICAL FOLKLORE IN THE CONTINUOUS EDUCATION SYSTEM. International Journal of Early Childhood Special Education, 14(6).

Rajabov, T. I. (2023). Distinctive Features of Folk Songs that Serve in the Spiritual and Moral

Raghavan, V. (1978). Sanskrit Drama and Dance in Classical India. Motilal Banarsidass. 2. Bhattacharyya, S. (2005). The Art of Indian Classical Dance. Abhinav Publications. 3. Rowell, L. (1992). Music and Musical Thought in Early India. University of Chicago Press.

Downloads

Published

2025-11-01