LITERATURE AND CINEMA: ANALYSIS OF SCREEN ADAPTATIONS OF UZBEK LITERARY WORKS

• Axmatova Ruxshonaxon Baxtyarovna

  Student of Uzbekistan State World Languages University, Faculty of Foreign Language and Literature: English, 1-year student

  Author

• Rahmonova Sardora Muminjanovna

  Uzbekistan State World Languages University Senior Lecturer

  Author

This article analyzes the screen adaptations of some of the most famous works in Uzbek literature. Through the cinematic versions of “O‘tkan kunlar” (Bygone Days), “Mehrobdan chayon” (The Scorpion from the Altar), “Qutlug‘ qon” (Blessed Blood), and “Shaytanat” (The Satanic World), the harmony and distinctions between literary and visual expression are explored.

Qodiriy, A. Days Gone By (O‘tkan kunlar). – Tashkent: G‘afur G‘ulom Literature and Art Publishing House, 1989.

Oybek. The Sacred Blood (Qutlug‘ qon). – Tashkent: Sharq Publishing House, 1995.

Said Ahmad. Horizon (Ufq). – Tashkent: Yozuvchi Publishing House, 1986.

Malik, T. Satanism (Shaytanat). – Tashkent: Sharq Publishing House, 2000.

A’zamov, Yo‘ldosh. Film “Days Gone By (O‘tkan kunlar).” – Uzbekfilm Studio, 1969.

Materials of the Cinematography Agency of the Republic of Uzbekistan.

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