THE DEVELOPMENT OF CAMPUS NOVELS IN THE WORKS OF DAVID LODGE

• Mahliyo Ortiqova

  O’zbekiston davlat jahon tillari universiteti o’qituvchisi E-mail:ortiqovamaxliyo2@gmail.com Tel:(99) 8798690

  Author

This article explores the evolution of the campus novel genre in the works of British novelist and academic David Lodge. It focuses on his Campus Trilogy—Changing Places (1975), Small World (1984), and Nice Work (1988)—tracing how Lodge blends satire, cultural critique, and literary theory to both entertain and interrogate the academic world. Lodge’s fiction mirrors transformations in academia from the 1970s to the 1990s, including globalization, theory-driven scholarship, and the increasing intersection between universities and external socio-economic forces. His contribution reshaped the campus novel, elevating it beyond parody into a serious literary form.

• Bradbury, Malcolm. The History Man. London: Secker & Warburg, 1975.

• Lodge, David. Changing Places. London: Secker & Warburg, 1975.

• Lodge, David. Small World: An Academic Romance. London: Secker & Warburg, 1984.

• Lodge, David. Nice Work. London: Secker & Warburg, 1988.

• Lodge, David. The Art of Fiction. London: Penguin Books, 1992.

• Lodge, David. Consciousness and the Novel: Connected Essays. Harvard UP, 2002.

• Showalter, Elaine. Faculty Towers: The Academic Novel and Its Discontents. Oxford UP, 2005.

• Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Methuen, 1984.

• Zelle, Carina. “Academic Satire and the British Campus Novel.” The Yearbook of Research in English and American Literature, vol. 28, 2012, pp. 73–89.

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