CHOIR MASTER WORKS WITH CHOIR TEAM IN UZBEK MUSICAL THEATER

Authors

  • Olimjon Komiljonov State Institute of Art and Culture of Uzbekistan Faculty of Theater Arts Teacher of the Department of Musical Theater Art Author

Keywords:

Uzbek musical theater, choir, choir team, choirmaster, vocal, national tune, national melody, lyrics, voice, voice potential, range, note, voice attack, tact, rhythm.

Abstract

This article covers a number of traditions and approaches related to the work of the choirmaster with the choir in the Uzbek musical theater. Important steps such as classical vocals (reasonable use of the voice), national melodies and melodies in performance, and expressive singing of the lyrics are analyzed. A number of recommendations are given to the choir master for working with the choir team.

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References

Harold Newton Clare. The choirmaster's manual : a guide for busy and amateur choirmasters especially for the development of the boy's voice and for the training and discipline of boy-choirs. New York: G.Schirmer, 1908;

Sh.Ro‘ziyev. Xorshunoslik. – Toshkent: “Adabiyot va san’at”, 1987;

Mansurbekova F. Xor sinfi. – Toshkent: “O‘zDSMI”, 2019;

Музафарова С. Вокальный ансамбль. – Taшкент: “Donishmand ziyosi”, 2023;

Кулишова О.В. Античный театр: организация и оформление драматических представлений в Афинах в V в. до н.э. СПб., 2014.

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Published

2024-12-11