THE ROLE OF SOUND AND PHONETIC HARMONY IN ALEXANDER FAYNBERG’S POETRY

Authors

  • Nurmatova Sevinch Baxtiyarovna Student of translation studies in UZSWLU Author
  • Xolbekova Begoyim Abdurahmonovna Associate professor in UZSWLU Author

Keywords:

Alexander Faynberg, phonetic harmony, sound symbolism, alliteration, assonance, poetic acoustics, Soviet poetry

Abstract

This study examines the role of sound and phonetic harmony in Alexander Faynberg’s poetry, analyzing how the poet employs alliteration, assonance, and consonance to reinforce meaning and emotional resonance. By exploring the sonic qualities of his verse, this paper demonstrates how Faynberg’s poetic style relies on phonetic structures to create rhythmic and symbolic effects. Using a phonosemantic approach, the research highlights the interrelation between sound patterns and thematic depth in Faynberg’s works [1]. The findings offer insights into how auditory elements shape poetic interpretation and contribute to the aesthetic experience of his poetry [2].

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References

Jakobson, R. (1960). Linguistics and Poetics. MIT Press.

Sound Symbolism and Poetic Structure in Russian Literature. (Archival Study).

Fónagy, I. (1981). Phonetic Symbolism in Poetry. Cambridge University Press.

Peirce, C. S. (1931). Collected Papers of Charles Sanders Peirce. Harvard University Press.

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Published

2025-03-19