EASTERN MINIATURE ART: A STUDY OF COLORS, PATTERNS, AND HISTORICAL SIGNIFICANCE

Authors

  • Kattaev Nodirjon Saidovich The member of the association of the handicraftsman of the republic of Uzbekistan kattaev84@inbox.ru Author

Keywords:

Eastern miniature art, history of miniature art, Eastern culture, Persian miniatures, Indian miniatures, Uzbek miniatures, Timurid era art, Mughal era miniatures, manuscript illumination, Eastern painting art.

Abstract

Eastern miniature art is not merely a form of painting but a vivid expression of Eastern culture, an artistic interpretation of historical events, and a reflection of spiritual values. This art form has evolved over centuries, with each piece distinguished by its unique colors, patterns, and profound meanings. Eastern miniature art, with its delicacy, artistic perfection, and symbolic depth, has become an essential part of not only Eastern cultures but also the global art heritage.

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References

Canby, S. R. (1993). Persian Masters: Five Centuries of Painting. Marg Publications.

Gray, B. (1979). The World of Miniatures: Eastern and Western. Thames & Hudson.

Welch, S. C. (1976). Imperial Mughal Painting. George Braziller.

Bahari, E. (1996). Bihzad: Master of Persian Painting. I.B. Tauris.

Soucek, P. (1975). "The Role of Miniature Painting in Persian Culture." Iranian Studies, 8(1-2), 47-56.

Lentz, T. W. (1993). "Dynastic Imagery in Early Timurid Miniature Painting." Muqarnas, 10, 253-265.

Koch, E. (2001). "Mughal Miniature Painting: A Study of Its Evolution and Symbolism." Artibus Asiae, 61(2), 247-262.

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Published

2025-03-25