BROADENING PEOPLE'S AWARENESS ABOUT THE DANCE TOURISM NOTION AND PRESENTING AN ART OF DANCE AS A SOURCE OF HISTORICAL CONTENT
Keywords:
dance tourism, folk dancing, embodied language, heritage, culture, history transmission, sense of belonging, national identity.Abstract
The main point of the current study is to show the significance of the dancing art in folklore and the tourism industry. The paper will provide the reader with information about the definition of choreo itself and the traditional type of it. The study was conducted for people to remember their historical background and value of national heritage; also, the supplied content is aimed at the audience, who is uninformed about the dance tourism system, in order to bring them up to date. Paper was made in cooperation with other researchers, which explored the topic on a global scale; the consultation with a professional dancer, who has a degree in choreography, was inserted in the article as well. It was discovered that modern generation is not interested in folkloric dancing, wich diminishes the level of patriotism and illustrates the ignorance about its ability to demonstrate the past of the nationality. The article suggests several potential solutions to promote traditional dancing, including organizing cultural events for citizens, particularly young ones.
Downloads
References
Adrianna Banio; Ewa Malchrowicz-Mosko. (2019). Dance in tourism from an anthropological perspective: an introduction to the research issue. Sciendo, DOI: 10.2478/tour-2019-0002.
Bakhtiyor Mamatov. (2022). The impact of festivals and events on tourism of Uzbekistan. Master’s degree.
Bekhruz Ziyatov. (2023). The role of music festivals and concerts in the tourism industry in Uzbekistan. Master’s degree.
Claudia Henrique, Maria Joao Custodio. (2008). Folk Dancing, Tourism and Identity. Algrave Universiy, Campus de Penha, Portugal.
Curtis File. (2013). Korean dance. B1 Korean Publishers Association Bldg., 105-2 Sagan-dong, Jongno-gu, Soul 110-190, KoreaMohinur Husenova. (2023). History of dance in Central Asia: A glimpse into the creative industry. An in-depth exploration of Central Asian dance, with a focus on Samarkand and Bukhara. Master’s degree.
Eleonora Kurbanova. (2023). National museum of music and dance. Master’s degree.
Iroda Yakupbayeva, Nargiza Akhrorova, Jasorat Sharipo.(2024). Dance tourism: dancing as a kind of art. International scientific and practical conference cultural echoes on the Silk Road: bridging historical legacies with modern tourism.
Ken W. Mccleary; Pamela A. Weaver; Fang Meng. (2005). Dance as a tourism activity: Demographics, Demand Characteristics, Motivation, and Segmentation. USA, Cognizant Comm. Corp.
Zouni, Georgia; Karlis, Aggelos; Georgaki, Ioanna. (2019). Investigations of similarities and differences between Dance Tourism markets: the case of Patras, Greece. “Tourism & Heritage” Journal.
Ашурова Ольга Васильевна. (2017). Узбекский танец в национальной культуре. Автореферат выпускной квалификационной работы бакалавра.
Исаков А. О. (2017). Танцевальный туризм как неординарное направление в современной индустрии туризма. ФГБОУ ВПО «Магнитогорский государственный технический университет им. Г.И.Носова», г. Магнитогорск, Россия.
Кань Хунюй. (2024). Танец как выражение национального характера: взаимосвязь и культурное значение. Publishing House “ANALITIKA RODIS”.
Чепарёва А. А.; Спатарь-Козаченко Т. И. (2019). Возможности использования национальной музыки и танцев в туристической индустрии Испании. «Сервис plus» научный журнал.
